A Child Is Born (film)

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A Child Is Born poster

A Child Is Born is a 1939 American drama film directed by Lloyd Bacon and starring Geraldine Fitzgerald, Jeffrey Lynn, and Gladys George. The film is a remake of the 1932 film Life Begins, which was based on the play by Mary M. Axelson. It tells the story of various couples in a maternity ward, focusing on the joys and sorrows they face as they await the birth of their children.

Plot[edit | edit source]

The narrative revolves around several expectant mothers in a hospital's maternity ward. The central story focuses on Grace Sutton (played by Geraldine Fitzgerald), who is facing the prospect of motherhood under difficult circumstances. Her husband, Jed Sutton (Jeffrey Lynn), is a convict, which adds a layer of complexity to her situation. The film explores the emotional rollercoaster experienced by the couples in the ward, highlighting themes of hope, despair, joy, and sorrow.

Cast[edit | edit source]

Production[edit | edit source]

A Child Is Born was produced by Warner Bros., with Hal B. Wallis serving as the executive producer. The film's direction was handled by Lloyd Bacon, known for his work in both silent and sound films. The screenplay adaptation was done by Robert Rossen, based on the original play by Mary M. Axelson. The film's setting primarily takes place within the confines of a hospital's maternity ward, providing a focused look at the experiences of expectant mothers and their families.

Reception[edit | edit source]

Upon its release, A Child Is Born received positive reviews for its sensitive portrayal of childbirth and the emotional dynamics within a maternity ward. Critics praised the performances of the cast, particularly Geraldine Fitzgerald's portrayal of Grace Sutton, which was noted for its depth and nuance. The film was recognized for its attempt to tackle the subject matter with realism and compassion, making it a significant entry in the genre of medical dramas of the time.

Legacy[edit | edit source]

A Child Is Born is remembered for its contribution to the genre of medical drama and its exploration of themes related to childbirth and parenthood. It stands as a testament to the era's filmmaking, offering insights into societal attitudes towards maternity and the challenges faced by expectant mothers. The film's portrayal of the maternity ward experience and its impact on various individuals continues to be of interest to audiences and scholars studying the depiction of childbirth in cinema.

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Contributors: Prab R. Tumpati, MD