Daybreak in Udi

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[[File:Daybreak in Udi (1949).webm|thumb|Daybreak in Udi (1949).webm Daybreak in Udi is a British documentary film released in 1949. Directed by Terry Bishop, the film showcases the transformative power of community cooperation and development in a rural village in Udi, located in the Eastern Region of Nigeria. The film was produced by the Crown Film Unit, a department of the British government's Ministry of Information, which was responsible for producing propaganda and informational films during and after the Second World War.

Synopsis[edit | edit source]

Daybreak in Udi follows the efforts of the local community in Udi to build a maternity hospital with the guidance and support of British colonial administrators. The narrative focuses on the challenges faced by the community, including the initial skepticism of the villagers, the gathering of necessary resources, and the overcoming of traditional beliefs that initially hinder progress. The film is notable for its portrayal of the collaborative effort between the British administrators and the Nigerian people, highlighting the benefits of modern health care and the importance of community involvement in development projects.

Production[edit | edit source]

The film was shot on location in Udi, providing a vivid and authentic portrayal of life in the Nigerian village. The use of non-professional actors, who were actual residents of Udi, adds to the documentary's realism and depth. The production faced various challenges, including logistical difficulties in transporting equipment to the remote location and the need to work closely with the community to ensure an accurate and respectful representation of their culture and efforts.

Reception[edit | edit source]

Upon its release, Daybreak in Udi received critical acclaim for its innovative approach to documentary filmmaking and its positive portrayal of African development. It won the Academy Award for Best Documentary Feature in 1950, marking a significant achievement for British documentary cinema and bringing international attention to the issues of development and community cooperation in Africa.

Legacy[edit | edit source]

The film is considered an important work in the history of documentary cinema, particularly within the context of post-war British filmmaking and its role in colonial and post-colonial narratives. Daybreak in Udi has been analyzed for its portrayal of colonial relationships, development ideologies, and the representation of African societies in cinema. It remains a valuable resource for scholars interested in the history of documentary film, colonial history, and African studies.

See Also[edit | edit source]

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Contributors: Prab R. Tumpati, MD