Phallus paintings in Bhutan

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Phallus -Thunderbolt on side of house to Scare of Evil

Phallus paintings in Bhutan are a distinctive and symbolically rich aspect of Bhutanese culture. These paintings, which often depict an erect penis, are commonly seen on the walls of houses and buildings throughout Bhutan. They are believed to ward off evil spirits and bring good luck. The tradition is deeply rooted in the teachings of Lama Drukpa Kunley, a 15th-century Buddhist monk also known as the "Divine Madman," who is revered for his unconventional approach to Buddhism and his role in spreading the religion throughout Bhutan.

Origins and History[edit | edit source]

The practice of painting phalluses on buildings in Bhutan is closely associated with the legend of Lama Drukpa Kunley. He was known for his shocking, outrageous, and often sexual humor, which he used as a means to challenge established norms and bring people closer to the teachings of Buddhism. The phallus is a symbol of fertility and power but, in this context, is also used to protect against evil spirits. According to folklore, the phallus paintings have their origins in the events and teachings of Drukpa Kunley, who would often use his own phallus, referred to as the "Flaming Thunderbolt of Wisdom," to bless people and fight off evil.

Cultural Significance[edit | edit source]

In Bhutanese culture, the phallus is not seen as an object of lust or indecency but rather as a symbol of fertility, prosperity, and protection. The paintings are a reflection of Bhutan's deeply spiritual society, where Buddhism influences many aspects of daily life. They are also indicative of the Bhutanese people's openness to discussing sexual matters and fertility, subjects that are often considered taboo in many other societies.

Artistic Expression[edit | edit source]

The style and depiction of the phallus paintings can vary significantly from one region to another within Bhutan. Some paintings are simple and straightforward, while others are elaborate and include motifs such as a dragon or a face at the base of the phallus. The colors used in the paintings are vibrant, making them stand out against the often wooden backgrounds of Bhutanese architecture.

Contemporary Views[edit | edit source]

While the tradition is still prevalent in Bhutan, its reception among tourists and the younger generation of Bhutanese is mixed. Some view it as an essential part of Bhutanese heritage and identity, while others see it as outdated or at odds with modern sensibilities. However, the tradition persists, and phallus paintings continue to be a common sight in Bhutan, serving as a reminder of the country's unique cultural practices and the teachings of Lama Drukpa Kunley.

See Also[edit | edit source]

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Contributors: Prab R. Tumpati, MD